SOLD – 2 June Sunshine

SOLD “2 June Sunshine” by Molly Ovenden

Original. Acrylic on Watercolor Paper. Unframed. Part of the “Scrapings” Collection.

Approximate Dimensions:
8 inches x 10 inches

How did it get its title?

When I look at this painting, I see the gentle warmth of the start to mild Minnesota summer vacation days.

Something I love about this painting is…

I love how distinctly the lemon yellow, orange-yellow, and gold shimmer scraped together with cohesive shaping, but as separated colors. The scrapes are almost opposites. It feels really playful to me, like childhood best friends who are similar to each other, but different enough in personality to get along really well.

*I love how well this piece works as part of a trio arrangement, together with “1 June Sunshine” and “3 June Sunshine.”

One more thing…
(Here’s a draft of a little something I wrote, inspired by this piece.)

“2 June Sunshine”
By: Molly Ovenden

reminiscent of school days ending,
not soon enough to play outside,
lingering in that edge of sunshine.

a curious ray of light pretending
to hide till school children run free:
laughing in that promise of summer.

cloudless blue skies of peace lending
quiet reflection and celebrations,
loitering in that golden beacon of solitude.

a humorous splash of wave spending
a year in waiting–for you–
to smile and play in childlike felicity,
lounging in that brightness of gratitude.

buoyant dreams of plans with friending
sands between each toe, jugs of lemonade,
lingering in that horizon of simplicity.

Minty Mud Cake

“Minty Mud Cake” by Molly Ovenden

Original. Acrylic on Watercolor Paper. Unframed. Part of the “Scrapings” Collection.

Approximate Dimensions:
5.5 inches x 6 inches

**Price of this original painting is $75 + tax + shipping.
Please note:
a) Shipping outside of the USA may be significant.
b) Shipping costs will be billed and charged separately from purchase of original painting.

How did it get its title?
Oh, it just looks like an amazing chocolate cake with minty frosting. And the lift off of the paint on the right edge and bottom of this square squelches a sugary richness that makes my mouth shiver with its cocoa richness. It reminds me of the chocolate mints we used to get from a fancy restaurant–the ones individually wrapped in shiny, green foil. Also–it reminds me of playing in the mud after the rain and seeing the sky clear up through trees in my backyard.

Something I love about this painting is…
how many details there are–this piece can hold its own. Some squares I paint need to be partnered with an acrylic friend, but this beauty struck me as capable of independence. Plus also, my mouth is watering right now because the brown is such a good chocolate and I love that I know it’s paint, but how I still want to eat it.

One more thing…
(Here’s a little something I wrote, inspired by this piece.)

“Minty Mud Cake”
a piece by Molly Ovenden

On the menu today:
A fancy cake, homemade.
A slice for all the guests
To devour in cocoa paradise
In their fancy dresses,
Slurping bone china
Cups of black tea:
Perfect match for this chocolatey
Cake of mint madness
Invigorating the senses–
What?! Why does it taste of mud?
Well, I’m five, and I made
This for you–
‘Member the rain last night?

Such Tall Trees as These

“Such Tall Trees as These” by Molly Ovenden

Original. Acrylic on Watercolor Paper. Unframed. Part of the “Scrapings” Collection.

Approximate Dimensions:
11 inches x 9 inches

**Price of this original painting does not include tax + shipping.
Please note:
a) Shipping outside of the USA may be significant.
b) Shipping costs will be billed and charged separately from purchase of original painting.

How did it get its title?
When I look at these streaks of paint, the way that the green opens up to brown reminds me of lying on my back and looking up the trunk of some old tree, mesmerized by the fluttering leaves in a gentle breeze. And I don’t really know what exactly that it is, but something feels old and draws me in with a sense of wonder that these have stood for and through the ages.

Something I love about this painting is…
the emerald green in the bottom right square. There’s something grounding in the left side with all of the brown gathering there–and then, the green lifts the right of the page. The varied lines of paint streaking in that bottom right square appear like light coming through a green, precious gem–and kind of like how sunlight comes translucent through leaves. It makes me feel hopeful.

One more thing…
(Here’s a draft of a little something I wrote, inspired by this piece.)

“Such Tall Trees as These”
a piece by Molly Ovenden

Oh, what wondrous wisdom
These trunks have gleaned,
And storms they’ve weathered:
The sheen of their leaves
Annually renewing luster
From dews in springtimes fresh.

Stretch tallest to heaven,
Blue sky summers of
Self-discovery, insightful
Adventures embarked upon,
Beneath such tall trees as these.

Oh, what warmth they could burn!
Oh, what oxygen they give to breath!
Centuries of roots dig deep,
Generations of branches have leaned.

But, what could be coming
As such trees like these reach?
Perhaps their tall leaves
Inspire strength, resilience?
How might they speak to me?
What wisdom could be released
If I simply rested in the grass
And listened patiently to:
Such tall trees as these?

Tips To Consider When Choosing a Piece of Artwork

“Tips To Consider When Choosing a Piece of Artwork
(for Your Home or Office).”

It’s super gross outside–dirty and grey in the days between Winter and Spring. The trees are still bare, and there’s no fresh snow. No flowers have bloomed. No street sweeper has cleared the detritus from the Winter Melt. It’s all monotone and blah.

If you’re like me, you’re longing for color. That’s a huge reason I’m an artist. I bring Beauty and Joy into the world through my colorful, abstract original paintings. When we perceive beauty in the stained-glass-wings of a butterfly, in a loved one’s smile, in the curve of an old cedar tree, we feel Hope. And that’s what we need more of in this world–especially in the grey days after Winter.

Choosing a piece of art can be an overwhelming task for some and a challenge to articulate what you actually are looking for to bring into your home or office. And, so much of art is an intangible aesthetic of subjective Beauty.

Among many considerations to make, I want to share a few tips to help you choose artwork for your space. It’s helpful to consider whether you want an original or a print. Knowing what size of artwork you’d like and what size of space you have to fill is important, too.

Considering the other items in your room is valuable to know how to coordinate a new piece might be necessary. Emotions play a role, too, and knowing how you want to feel when you experience the art can be considered.

Because art can be such a personal experience, for some, knowing the artist is significant. And, for some collectors, the title of the artwork is important to be able to curate the story a room tells.

Once considering these questions, you’re likely to have a clearer idea of what artwork to choose for your home or office.

1. Do you want an original piece of artwork or a print? Do you want to commission a piece from a local artist?

When you choose an original piece of art, it can feel special to know that you are the only one in the world in all history and future who will have this exact piece in your home while you’re alive. The prestige, honor, and privilege of getting to commission a painting from an artist can feel valuable, too–not only are you the only one with a piece of art like this one, it was made especially for you. And, that’s super cool.

Price can be a consideration of this, too. Original art can have a large price tag–as it should. Artists are skilled and talented at their work and need to be compensated as such. Because of this, and your available budget, you may choose to start by owning a print from an artist whose work you love, and then, save up to commission a piece later on.

2. What size of space do you have to fill?

The size of space you have to display art is necessary to consider. I once painted something that I thought was big enough for a wall in an event venue, but the room dwarfed my painting. When I was in my studio, however, this painting was massive and filled my entire wall.

Taking literal measurements with a tape measure–and writing them down–to have available when considering becoming a collector is important. Are you looking to fill one wall with a statement piece? Or, maybe you want to have a pop of color and story on multiple walls. Hanging a painting above your fireplace will work differently from hanging a piece on a nursery wall or in a hallway.

Considering the space your new piece of artwork will live in is helpful information to share with the Artist when you commission a piece, too.)

3. What other items do you have in mind that might coordinate with the new piece of art?

Interior designers know that each item in a room needs to function on its own, as well as in the presence of all of the other pieces. There’s a certain flow that encourages a feeling or experience in a space.

Introducing new artwork to a space will likely change the dynamic and flow of that room–this may be why you are considering choosing artwork in the first place.

Details like wall color and texture, whether or not you have bookshelves and what you put on them can have a significant impact on what type of art would be the most appealing in the room. Items like floral arrangements, framed photographs, other pieces of art, decorative vases or figurines can live on display alongside artwork, but may need rearranging.

The style and size of furniture, the pattern, color, and texture of cushions can affect how art works in a space, too. Even seasonal and holiday decorations or cultural decor can play a part in choosing what artwork you’d like to collect and feature on your wall.

4. How do you want to feel when you look at the piece?

Experiencing artwork is subjective and it’s important to know what you want to create your space to feel like. You may love a piece of art in an artist’s studio or on the walls of a gallery, but that’s a different type of space where it’s displayed. In your calm sitting room, what was bold and busy enough to stand out on a wall in a gallery may be too energetic in a space you want to feel restful.

One of my favorite memories of meeting a collector of my paintings is meeting a woman in England who said she’d spent the last three years searching for a painting that could live on the hallway wall outside of her bedroom, so that she could wake up, see the Art, and feel happy to start her day. She held my painting, beaming with relief and joy that she’d finally found a solution to suit the Beauty she longed to experience daily.

Perhaps you want art to have a calming effect. Maybe you also want to feel happy first thing in the morning. Or, you might want to feel energized. The subject matter could be important, too, and how you feel inspired by nature could help you choose a piece of art that helps you feel like you’re by the lake or hiking in the woods–even when you’re snuggled up on the sofa, reading.

Other factors to consider:

5. For some, knowing who the artist is, and how you feel seeing their art and them plays an important role. You may choose artwork simply because it’s a memorable experience from having interacted with the artist. Sometimes the painting that hangs on the wall is a reminder of a place you loved being or the human who created it who made you smile, feel seen, or listened to, comforted in some way.

6. The titles of a piece can be important to you, too. For me, as a writer, I always intentionally title my paintings to tell the story that I see in the painting as a starting point. Knowing what story you want to tell in your home or office, or to remind yourself of, could be intriguing as you select artwork you love.

7. Do you want art from me, Molly Ovenden?

An ongoing project I’m perpetually excited about:

I write pieces of poetry or short prose or fiction to pair with my paintings which share the same title. When I name my paintings, I call them what I see. Sometimes they are simply like, “May” here and other times they are more complicated and involved like, “Late Night June–Almost Seeing the Moon Between These Trees” here. I love bringing the viewer into the world of color and beauty I create in my paintings. So, I choose to write the poetry and stories behind the paint.

Once you’ve considered these questions, you’ll have a good foundation to approach a gallery or local artist to make an informed decision about becoming a collector and owning art you love and that you are proud to display on your walls.

To see the artwork I have available, visit my gallery shop online here. And to follow along with the creativity joy in my studio and behind my typewriter–you can be the first to know when new paintings become available by signing up here.

Thank you so much for reading this article and for following along my creative journey. I’m so glad you’re here!

SOLD – Late Night June–Almost Seeing the Moon Between These Trees

SOLD “Late Night June–Almost Seeing the Moon Between These Trees” by Molly Ovenden

Original. Acrylic on Watercolor Paper. Unframed. Part of the “Scrapings” Collection.

Approximate Dimensions:
11 inches x 15 inches

How did it get its title?
I’ve been fascinated by the color green in nature since I was a kid. And, the way summer leaves flicker sunlight that seems to last into late nights is such a comfort. I feel like I’m lying down on my back and actually resting in June–on the longest day and the breeze is even more refreshing than a misty glass of tart lemonade with droplets of evening heat condensing.

Something I love about this painting is…
The progression of greens. There’s so much movement that’s streaking across the page–across the painting!–that my imagination is so invested in the story. The yellow sits in sunny companionship with all of the greens and amidst the motion of changeable greenery; it feels calm and still over my soul.

One more thing…
(Here’s a draft of a little something I wrote, inspired by this piece.)

For such a day as this
Coolness beckons June’s heat
Hovering over my forehead
A sweetest embrace, a gentle kiss

For such a June as today
Humidity lifts the most blue
Bidding farewell to daydreams
A sweetest reality, a prayer to stay

For such a calm as weekends
Chilled breezes surround us
Quenching thirsty times of
A sweetest memory, a moment with friends

For such a day as glory
Paused in clear skies
Stargazing amongst moonlight
A sweetest glance, an untold story

For such a day it’s been
Tranquility soothes frazzled minds
Comforting joys shared in gratitude
A sweet thank you…
Until next time…but, when?

Woodland Musics For Elvish Dancing

“Woodland Musics For Elvish Dancing” by Molly Ovenden

Original. Acrylic on Watercolor Paper. Unframed. Part of the “Scrapings” Collection.

Approximate Dimensions:
11 inches x 15 inches


**Price of this original painting does not include tax + shipping.
Please note:
a) Shipping outside of the USA may be significant.
b) Shipping costs will be billed and charged separately from purchase of original painting.

How did it get its title?
When I look at this painting I see so much movement. Normally the squares I scrape are a steady line with little to no wavering. But, in this piece there are several wobbles and undulations that invoke a sense of movement–different from the linear pieces that usually come into existence. Then, since the dominant colors are brown and green, I knew this was happening among trees. And with a secret amount of metallic gold, it felt the richness of ancient Elvish wisdom.

Something I love about this painting is…
Every square is entirely different. My eyes keep moving to observe the stories dancing in each square. While I cannot and deliverately choose not to be in control of the outcome–this is an experiment in freedom from control, I love how cohesive it feels. I love the two squares on the outside of the middle row; like elves dancing, swaying their hips in time. The bottom right square has an especially pleasing-to-me texture and shape of the lift off. I’m really excited about this piece.

One more thing…
(Here’s a draft of a little something I wrote, inspired by this piece.)

“Woodland Musics For Elvish Dancing”
a piece by Molly Ovenden

And in the coolest part of the the night
When the cuckaras shout
Before taking flight
The cackles of cheeky children
Up so late on moonlit din
Skittering free as only elvish
Little ones can–

And in the ancient roots a song
Rumbles beneath their feet
Keeping time for life
Across Night and Day
Leafy breeze, deciduous trees
Movement wings its way
From roots to souls to fingertips

And in the coolest part of the night
That’s when the fairies come to play
Elvish rhythm draws out creatures
Once warring–for a moment
Peaceful merrymaking, starry-eyed

And in the coolest part of the night
When mamas dance and papas glide
It’s Woodland Musics For celebrations
Truest for most sacred of Elvish Dancing

1 July Heat

“1 July Heat” by Molly Ovenden

Original. Acrylic on Card. Unframed. Part of the “Scrapings” Collection.

Approximate Dimensions:
7.5 inches x 9.5 inches
3 inches x 3 inches (each square “scraping”)

How did it get its title?
When I look at this painting, I see the blazing hot sun of July that shoots to the top of the sky in the peak summer days.

What do I love out this piece?
I love the way the gold metallic in the top left shimmers bright and hot–even looking at it feels like I need to wear sunglasses! And I also love how, especially in the top scrape, the colors streak downward in a gentle wiggle that reminds me of the mirage of heat haze on those mid-summer hot days. It’s cool, too, how solid the edges of each scrape are: the negative space is unbroken so each scrape pops out toward the viewer.

I’d love to invite you to my Gratitude, Art + Poetry Joy Email list, so that you can be the first to know when new art becomes available for collectors to own.

1 April Showers

“1 April Showers” by Molly Ovenden

Original. Acrylic on Card. Unframed. Part of the “Scrapings” Collection.

Approximate Dimensions:
7.5 inches x 9.5 inches
3 inches x 3 inches (each square “scraping”)

How did it get its title?
When I look at this painting, I see the ugly remnants of Minnesota winters–all of the grit, salt, gravel, and collection of random stuff that’s abandoned in snowbanks till spring. I see the giant piles of snow remaining on the end of the driveway next to the spring flowers which have begun blooming and the green grass waking up from its frozen hibernation.

What do I love out this piece?
I love the variety of pink textures, the way the yellow pushes through the darker colors, and how the negative space creates a hush of color that feels clean, like the yet-untouched snow from one of the last “winter weather advisory” days of the season alongside the first spring rains that melt the remaining snow, exposing what happened in the winter. There’s so much color and movement in this piece–it feels like the excitement of finally not being cooped up in your house after months of sub-zero and unending snowfall.

I’d love to invite you to my Gratitude, Art + Poetry Joy Email list, so that you can be the first to know when new art becomes available for collectors to own.